Theory For Today's Musician Workbook

Theory For Today's Musician Workbook – Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B.B. King, is an American blues singer, songwriter, guitarist, and record producer. He introduced a complex style of fluid string soloing, shimmering vibrato, and staccato picking that influenced many electric blues guitarists.

All Music recognized King as “the most important electric guitarist of the last half of the 20th century”.

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Inducted into the Rock and Roll Hall of Fame in 1987, King is one of the most influential blues musicians of all time, earning the nickname “The King of the Blues” and considered one of the “Three Kings of Blues Guitar.” (along with Albert King and Freddie King, no relation).

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King performed tirelessly throughout his musical career, performing an average of more than 200 concerts a year well into his 70s.

King was born on the Berkleer Cotton Plantation near Itta Ba, Mississippi, and later worked in a cotton gin in Indianola, Mississippi. He was fascinated by music and learned to play the guitar and began working for Jock Jones and local radio. He later lived in Memphis and Chicago. As his fame grew, he traveled the world. King died in Las Vegas on May 14, 2015 at the age of 89.

In Oral History, B.B. King explores his greatest musical influences. Date of interview August 3, 2005, NAMM (National Association of Music Merchants) Oral History Library

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When King was four, his mother left his father for another man, so he was raised by his maternal grandmother, Eleanor Farr, in Kilmichael, Mississippi.

As a child, he moved to Indianola, Mississippi, which he called his hometown, and later worked in a cotton gin.

King served in the US Army during World War II but was discharged after being deemed “essential to the war economy” based on his experience as a tractor driver.

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When King was young, he sang in the gospel choir at Alcorn Baptist Church in Kilmichael. King was attracted to the music of the Ptecostal Church of God in Christ. The local minister played a Sears Roebuck Silvertone guitar during the service and taught King his first three chords.

King’s first guitar was bought for him by Flick Cartledge, his employer in Kilmichael, for $15. Cartledge saved the money from King’s salary for the next two months until the loan was paid off.

In November 1941, King Biscuit Time aired on KFFA in Hella, Arkansas. It’s a radio show featuring Mississippi Delta blues. King cataloged while relaxing on the farm. A self-taught guitarist, he aspires to be a radio musician.

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In 1943, King left Kilmichael to work as a tractor driver and play guitar with the St. John’s Gospel Singers. Famous John from Inverness, Mississippi, performed at area churches and at WGRM in Grove, Mississippi.

Poster of BB King and Bill Harvey and the Orchestra featuring BB King holding the guitar and Evelyn Young playing the saxophone

In 1946, King followed Boca White to Memphis, Tennessee. White hired him for the next few months.

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King soon returned to Mississippi, where he decided to prepare for the next meeting. Two years later, in 1948, he returned to West Memphis, Arkansas. He appeared on Sonny Boy Williamson’s radio show on KWEM in West Memphis, where he began to develop an audience. King’s presence led to a steady streak at Sixth Street Grill in West Memphis, and later to a T-minute spot on Memphis radio station WDIA.

He worked as a singer and disc jockey at WDIA, where he was nicknamed “Beale Street Blues Boy,” then “Blues Boy,” and finally “B.B.”

It was there that he first met T-Bone Walker. King said, “When I first heard it, I knew I had to have [an electric guitar]. I ‘had’ to have it, except to steal it!”

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In the late 1940s and early 1950s, King became part of the Beale Street blues scene. “Beale Street is where it all started for me,” King said. He performed with Bobby Bland, Johnny Ace and Earl Forrest in a group called Bill Streeter.

According to King and Joe Bihari, Ike Turner introduced King to the Bihari brothers when he was a talent scout at Modern Records.

In 1949, King began recording under contract with Los Angeles-based RPM Records, a subsidiary of Modern. Many of King’s early records were produced by Sam Phillips, who later founded Sun Records. Before the RPM contract, King debuted on Bullet Records with the single “Miss Martha King” (1949), which did not do well. My first record was [in 1949].

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For a company out of Nashville called Bullet, Bullet Record Transcription, King recalled. I have Phineas Newbern on the piano. His father played drums and his brother Calvin played guitar with me. I am Tuff Gre on bass, B Branch on sax, his brother, Thomas, on trumpet and Lady trombone player. The Newborns were a band at the famous Plantation Inn in West Memphis.

The king of his group, B.B. King compiled the Review under the leadership of Millard Lee. The group originally consisted of Calvin Oss and Kenneth Sands (trumpet), Lores Burdin (alto saxophone), George Coleman (string saxophone),

Floyd Newman (baritone saxophone), Millard Lee (piano), George Joyner (bass) and Earl Forrest and Ted Carey (drums). Onzi Horn is a trained musician listed as an arranger to help King with his songs. By his own admission, King could not play chords very well and always relied on improvisation.

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King’s recording contract was accompanied by a tour of the United States, performing in major theaters in cities such as Washington, D.C., Chicago, Los Angeles, Detroit, and St. Louis, as well as numerous performances in small clubs and local shows. Southern United States During a show in Twist, Arkansas, there was a fight between two meters, causing a fire. He was evacuated with the rest of the crowd but returned with his guitar. He said he later learned that the two men were fighting with a woman named Lucille. He named his guitar Lucille as a reminder not to fight women or crash into other burning buildings.

B.B. King became one of the most important names in R&B music in the 1950s, amassing an impressive list of hits.

Includes “You Know I Love You”, “I Woke Up Today”, “Please Love Me”, “My Heart Is Beating Like A Hammer”, “Full Lotta Love”, “You Make Me Sick Baby”, “Every Day I Have” Blues , “Steal Around”, “T Long Years”, “Bad Luck”, “Sweet Little Angel”, “On My Word of Honor” and “Please Accept My Love”. This resulted in a significant increase in weekly income from $85 to $2,500.

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Appearing at major venues such as the Howard Theater in Washington and the Apollo in New York, as well as touring the Chitlin Circuit. 1956 was a record-breaking year with 342 concerts and three recording sessions.

That same year he founded his own record label, Blues Boys Kingdom, headquartered on Beale Street in Memphis. There, among other projects, he produced artists such as Millard Lee and Levi Seabury.

In 1962, King signed with ABC-Paramount Records, which was later absorbed into MCA Records (which was later absorbed into Geff Records). In November 1964, King recorded Live at the Regal at the Regal Theatre.

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King later said that Regal Live “is considered by some to be the best record I’ve ever made … all of them together on a particular day in Chicago.”

Beginning in the late 1960s, new manager Sid Seidberg pushed King into a different kind of music, as blues-rockers such as Eric Clapton (a member of the Yardbirds as well as Cream) and Paul Butterfield promoted an appreciation of blues music among them. many people, they are white. the audience

King appeared among other rock audiences on the Rolling Stones’ 1969 American tour.

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Which was successful on the pop and R&B charts. It is also ranked #183 on Rolling Stone’s 500 Greatest Songs of All Time.

King was inducted into the Blues Hall of Fame in 1980, the Rock and Roll Hall of Fame in 1987, and the National Rhythm and Blues Hall of Fame in 2014.

In 2004, he presented the International Polar Music Award to artists “in recognition of outstanding achievements in the creation and development of music”.

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From the 1980s until his death in 2015, he maintained a visible and active career, appearing on numerous television shows and sometimes performing 300 nights a year. In 1988, King gained a large following with the single “Wh Love Comes to Town”, a joint effort between King and the Irish band U2 on the album Rattle and Hum.

In December 1997, he performed at the fifth annual Vatican Christmas concert and presented his trademark “Lucille” guitar to Pope John Paul II.

In 1998, he appeared in The Blues Brothers 2000, playing the title role.

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