The Musician's Guide To Theory And Analysis Workbook Answers – Among the most popular and versatile modes, Dorian mode can be used in a surprising variety of musical environments. In this article, let’s discuss what Dorian Mode actually is, some popular songs it uses, and how you can apply it to your own music.
The Dorian mode is a mode that is in many ways similar to the minor, but features a raised fourth (♯ˆ6) as its distinguishing feature. If we start with D, then your ascending scale will have D, E, F, G, A, B, C and D.
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The Dorian state takes its name from the Dorian Greeks, who were among the four main tribes of ancient Greece. Early iterations such as those in the enharmonic genre feature quarter tones, which are intervals even smaller than semitones not found in modern Western music. The position saw further development by the Byzantine church in medieval theory, where it could include B♭ “by license”, in addition to a B♮.
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Today, the modern Dorian scale is understood as a strict diatonic scale that corresponds to all white keys of the piano from D to D, as seen above.
If you can follow the scale, intervals can be abbreviated as WHWWWHW (“half-integer, whole-integer”).
Once you become familiar with this pattern, you can use it to write a Dorian scale from another root note. For example, C mode Dorian would have the following:
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The rising sixth is the main difference between Dorian and natural minor scales, as mentioned in our first definition. Depending on how this center is handled, the situation can seem mysterious, tricky, grand, dark, and more – we’ll hear specific examples shortly.
While getting familiar with the interval method is more useful (and easier) than memorizing each scale one by one, here’s a chart explaining the Dorian scale associated with each root note for your convenience:
As we mentioned in our Lydia mode article, we use the term “key” loosely to refer to them because the modes don’t follow the same functional behavior of the traditional major and minor keys, which is actually a term issue. soak. translation. Note also that many of them are quite precise – for example, the positions played in A♯ and B♭ all share the same pitch, but are simply expressed differently in writing.
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From “Get Lucky” by Daft Punk and Pharrell Williams and “About Damn Time” by Lizzo to “So What” by Miles Davis and “Song of the Storm” by Koji Kondo (from
), various songs sound wonderful across the full range of types used in Dorian Mode. In the video tutorial below, we look at the chord progressions of these songs and others to explain how the sixth rising distinction is used to achieve different moods.
If you want to explore chord progressions like the ones shown in the video in your own DAW, you can download the MIDI files for free here. We’ve also added a few more enhancements to further boost your creativity.
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As we’ve heard in the examples cited above, there really isn’t a single “right” way to use the Dorian position. Depending on your setting, matches and more, the mode can sound like anything from romance to gaming.
That said, we’ve outlined some ideas below that you can experiment with to develop your own unique materials and groups.
If you still gravitate towards a natural major and minor by default and want to try writing a song entirely around a new palette, Dorian Mode might be the right thing for you. Although there is only one separate announcement, the sixth amount alone reveals enough new colors to spark a host of new ideas.
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If you’re not sure where to start, try dragging one of the supplied MIDI progressions into your DAW and playing a melody on it. What happens when you avoid using raised sixths in your melody until you hit the ii or IV chord? What happens when you play over a chord that isn’t played there? There are no hard and fast rules, so feel free to experiment freely here.
Nor is it necessary to use Dorian mode (or any other mode, for that matter) as the sole harmonic background of your composition. In fact, many pieces will simply borrow your color in individual sections.
Take Linkin Park’s “Sleeping in the Sky,” for example. The song uses an i – III – ♭VII – IV chord progression in the intro and verse, with the guitar riff and vocal melody also emphasizing the high sixth (F♯) on the last note . However, in the chorus, the melody shifts to A minor, as shown by the complete absence of F♯ and the introduction of the ♭VI (F major) chord.
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By alternating between Dorian and natural minor mode, Linkin Park is able to draw a unique emotional color for each part of the song. The raised sixth gives the verse an introspective yet larger-than-life feel, while the depressed sixth adds emotional intensity to the chorus.
You can use this idea in your own compositions by treating the Dorian position as a borrowed color – use it to create a tough moment that lasts, then return to a minor, major, or even different position.
When we think of chord progressions, we tend to overlook the effect the changes can have on achieving different emotional nuances. Whether it’s for a soft lead or to intentionally highlight certain intervals, try experimenting with different iterations of the same chord. In the tutorial video, we demonstrate this idea using Chord Pad mode in Cubase to quickly compare different modulation options.
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Also, feel free to add sevenths, ninths, and other intervals to your chords to reveal even more color. How can we ii
Chord affects your chord progression relative to a triad ii? It’s important to be mindful of your seventh chords and extensions, but feel free to explore them to come to your own creative conclusions.
While there’s no one way to use it, Dorian Mode provides a new but familiar color that’s a great addition to any developer’s toolkit. Hopefully this article gives you a basic on how to set it up, shows you a few different emotional bands, and gives you some basic ideas for using it that you can use to create your own music sets.
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Do you have any questions about using locations in your music? What music theory topics would you like to see covered next? Start a conversation with us and other music producers via Discord.
Harrison Shimazu Harrison Shimazu is a music producer, content expert, and writer passionate about democratizing music creation and education. He runs the blog.
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