The Country Music Hall Of Fame And Museum Nashville Tn – With a new exhibit, the Nashville institution pays homage to another city known for producing tried-and-true tunes: Los Angeles.
Last week, the Country Music Hall of Fame and Museum debuted “Western Edge: The Roots and Reverberations of Los Angeles Country-Rock,” an expansive look at an influential movement of Southern California artists led by country, bluegrass and folk influences. Hits in the middle of the “Western Edge” include the Birds, Linda Ronstadt, the Eagles, the Flying Burrito Brothers, the Nitty Gritty Dirt Band, Pozzo, Dwight Yoakam and more.
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“We looked at other cities, but we never really focused on this particular story,” said Michael Gray, “Western Edge” co-curator and executive senior director of editorial and interpretation at the Country Music Hall of Fame. “what happened in los angeles to country rock”.
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After the idea for “Western Edge” was cemented in late 2019, co-curators Gray and Michael McCall conducted roughly 40 hours of interviews with 23 subjects to craft a linear narrative. The exhibit mainly focuses on taking visitors through the music of the late 1950s – such as bluegrass groups The Dillards and The Kentucky Colonels – to Yoakam and the Desert Rose Band of the 80s.
And longtime musician Chris Hillman’s country-rock legacy sits at the metaphorical center of “Western Edge.” His musical fingerprints cover much of the exhibit, starting from Hillman’s time in the early 1960s with the Scottsville Squirrel Barkers bluegrass outfit to co-founding The Birds, the Flying Burrito Brothers and the Desert Rose Band, among others.
“It’s a fusion of styles,” Hillman told The. “It was an important part of the landscape, musically.”
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And what influence did many of these musicians have? A young love for country and the bluegrass tradition, Gray said.
“Almost all of these bands really started as young people who liked bluegrass, folk or country,” Gray said. “As a hit of rock and roll – especially the influence of the Beatles and [Bob] Dylan – they became rock musicians, but they found ways to bring in those traditional elements.” Suddenly banjos and fiddles and pedal steel guitars are all around. rock records of the late 60s and early 70s.
It’s some of the most popular music in the world at the time, and it has all these country elements.”
Front Entrance At The Country Music Hall Of Fame And Museum Downtown Nashville Editorial Photography
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McCall, senior editor at the Country Music Hall of Fame, added, “None of them were trying to make country hits until Emilio [Harris]. They all made rock music, but they had the influence of the state on it. Our job is to look at the history of country music and show that the time is important for how country influenced rock and roll.”
Through floor-to-ceiling exhibits and interactive playlists, Western Edge curators show visitors how musicians in the Los Angeles country-rock scene are intertwined with songwriting collaborations, supergroups and rotating cast members. Eagles members, for example, once supported Ronstadt; and before or after their time in the Eagles, band members also logged time in Poco, Flying Burrito Brothers, Longbrach/Penniwhistle, and Rick Nelson & The Stone Canyon Band, to name a few.
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“The musicians were clearly interacting with each other.” They wrote songs with each other. “Different groups performed with each other,” Hillman said. “It was also a big factor in the development of the music, and the cross-interaction and playing.”
And by the 1980s, a new genre began to intersect with country rock: punk. Los Lobos shared stage time with pioneering British punk group The Clash and Yoakam in clubs played by Black Flag and The Ramones.
“They took it back to its roots and took it down,” McCall said. “In the 1980s, influenced by what was happening, they played faster.
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Today, country rock is mostly recognizable by another name: Americana, a format Hillman and company laid the groundwork for decades before it became a catch-all phrase for roots, folk, soul and country rock.
Thank God for the term ‘Americana,’ in the sense that it swallowed up ‘country rock,'” Hillman said. “Everything is Americana now. And it’s roots-oriented, which is really nice. I hear some of these younger acoustic bands out there, and they are phenomenal. Phenomenal players and singers. It’s all growing and growing and growing.” This article needs additional citations for verification. Help us improve this article by adding citations to reliable sources. Unsourced material may be disputed and removed. Find sources: “Country Music Hall of Fame and Museum” – News· Newspapers· Books· Scholar· JSTOR (May 2016) (Learn how and what to remove this message template)
The Country Music Hall of Fame and Museum in Nashville, Tennessee is one of the world’s largest museums and research centers dedicated to the preservation and interpretation of American folk music. The museum was licensed in 1964 and has amassed one of the most extensive music collections in the world.
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The Country Music Hall of Fame and Museum is the world’s largest repository of country music artifacts. In the early 1960s, as the Country Music Association’s (CMA) campaign to popularize country music gained momentum, OMA leaders determined that a new organization was needed to support a country music museum and related activities outside of the CMA’s purview as a trade organization that simply operated. To that end, the nonprofit Country Music Foundation (CMF) was chartered by the state of Tennessee in 1964 to collect, preserve, and publish information and artifacts related to the history of country music. Through the CMF, industry leaders raised money through the efforts of CMA Executive Director Jo Walker-Meador to build the Country Music Hall of Fame and Museum, which opened on April 1, 1967. The original building was a barn shaped structure located at the head. or Music Row, built on the grounds of a small city park in Nashville.
This hall of fame is modeled after the National Baseball Hall of Fame and Museum in Cooperstown, New York.
At this point, artefacts began to be exhibited and a small library was started in the attic above one of the museum galleries.
Gallery: Inside The County Music Hall Of Fame
At the beginning of the 70s of the last century, the foundation of the museum building was partially completed and the expansion of the library began, including not only recordings, but also books and periodicals, sheet music and songbooks, photographs, business documents and other materials. At first, CMA staff ran the museum, but by 1972 the museum (already governed by its own independent board of directors) had acquired its own small staff.
Expansions to the building occurred in 1974, 1977, and 1984 to store and display a growing collection of costumes, films, historic automobiles, musical instruments, and other artifacts. The Education Department was created to implement ongoing programs with Middle Tennessee schools; an oral history program was started; and a publishing department for work with books was launched, as well as a magazine for country music.
To become more accessible, the Country Music Hall of Fame and Museum moved to a new, 140,000-square-foot (13,000 m)
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) facility in the heart of downtown Nashville’s arts and entertainment district in May 2001. In 2014, the museum unveiled a $100 million expansion, doubling its size to 350,000 square feet of galleries, archival storage, education classrooms, retail and specialty stores. possibly space.
In the museum’s flagship exhibit, Sing Me Back Home: A Journey Through Country Music, visitors are immersed in the history and sounds of country music. The story is revealed through artifacts, photographs, text panels, recorded audio, vintage video and interactive touch screens. Sing Me Back Home is used by rotating exhibits with a limited number of options. The ACM Gallery and the Dinah and Fred Gretsch Family Gallery feature artifacts from today’s country stars and a range of activities developed through technology. The ACM Gallery hosts an annual exhibition, American Currts: State of Music, which showcases the most authentic past of country music.
In addition to the galleries, the museum features the 776-seat CMA Theater, the Taylor Swift Education Cter, and multipurpose evt rtal spaces. Other historic properties of the Country Music Hall of Fame and Museum include one of the oldest printing houses in the country, Hatch Show Print (located inside the museum) and the Historic RCA Studio B
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(located on Music Row), Nashville’s oldest surviving recording studio, where Country Music Hall of Famers Elvis Presley, Dolly Parton, Waylon Jennings and many others recorded.
The Country Music Hall of Fame and Museum has developed several platforms to make its collection accessible to a wider audience. From weekly instrument demonstrations to its flagship program of songwriting for schools, words and music, the museum offers an aggressive schedule of educational and family programs. The museum also operates CMF Records, a Grammy Award-winning reissue label (The Complete Hank Williams and Night Train to Nashville: Music City Rhythm & Blues, 1945-1970); and CMF Press, a publishing house that published books in collaboration with Vanderbilt University Press and other major trade publishers.
The Rotunda of the Hall of Fame features a mural of “The Sources of Country Music” by Thomas Hart Button. This was Bton’s last work; as he died in his studio while completing it.
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For a country music professional, induction into the Country Music Hall of Fame is the highest honor the community can bestow. An invitation can be extended to artists, songwriters, broadcasters, musicians and executives in recognition of their contributions
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