Musicians Harlem Renaissance – In the 1920s, Louis Armstrong ushered in the Harlem Renaissance in the jazz world. The music he created was part of his life during the Harlem Renaissance. The admiration he had for Armstrong and he was recognized as one of the most popular musicians of his time. In the book of Hughes, he created many books that have the main idea of jazz and the recognition of Armstrong as one of the most important people to be part of the new love of their culture . The sound of jazz, along with many other musicians such as Armstrong, helped establish Hughes as a composer. As a musician, Hughes wrote his songs with jazz.
Armstrong revolutionized jazz during the Harlem Renaissance. Known as “the world’s greatest artist” during this time he continued his legacy and decided to continue focusing on his music career. The popularity he brought together many black and white people to see him play.
Musicians Harlem Renaissance
Louis Armstrong was born in New Orleans, Louisiana on August 4, 1901. He was raised by his mother Mayann in a very dangerous area called “The Battlefield”. He was in fifth grade, left school early to work. He grew up in extreme poverty in New Orleans, Louisiana, when jazz was still young. As a child he worked odd jobs and sang in a boy quartet. In 1913 he was sent to the Colored Waifs Home as a juvenile delinquent. There he learned to play music at home, and music soon became a passion; as a teenager he learned music by listening to jazz artists of the day, including New Orleans pioneer King Oliver. Armstrong was successful quickly: he played in marching and jazz bands, was talented enough to replace Oliver in the Kid Oryband important in 1918, and in the 1920s played in the Mississippi River dance band. Armstrong to earn enough money to buy his first cornet.
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Fame came in 1922 when Oliver, who was the first band in Chicago, sent Armstrong to play second cornet. Oliver’s Creole Jazz Band was an important early New Orleans band, and included such popular musicians as brothers Johnny and Baby Dodds and pianist Lil Hardin, who married Armstrong in 1924.
The young Armstrong was known for his ability as a leader and second line, his “cornet” line (pronounced “so”) with Oliver, and solos. He wrote his first songs as a member of Oliver’s group in songs like “Chimes Blues” and “Tears,” which were written by Lil and Louis Armstrong.
Armstrong played the trumpet, and his style was the best of all competitors. All in all, his heart is great; his intellectual ability; he is mature, courageous and united; its constant pulse, apparent stop, timbre, and vibration; his musical gift is important; his extraordinary power, which is often difficult to produce himself; with his musical power and great talent he created this beautiful image in jazz.
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Armstrong was a popular musician in 1929, when he moved from Chicago to New York City and performed in theater.
. He toured America and Europe as a trumpeter with big bands; for many years starting in 1935, Luis Russell’s main band was Louis Armstrong’s band. At this time he abandoned the often bluesy music of his early years in favor of the popular songs of popular musicians such as Hoagy Carmichael, Irving Berlin, and Duke Ellington.
In many of Armstrong’s movies, radio shows, and television shows, he was filmed as a guest. He played a rare role in the movie
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(1947), in which he also played in a Dixielandband. This led to the formation of Louis Armstrong’s All-Stars, a Dixieland group that originally included other jazz musicians such as Hines and trombonist Jack Teagarden. For many years of Armstrong’s life, he toured the world and created Sextets for All Stars; Indeed, “Ambassador Satch” in his later years was known for his constant travel. It was the time of his greatest glory; released such hits as “Mack the Knife” and “Hello, Dolly!” and important albums such as his contribution to W.C. HandyandFats Waller. In his later years, illness prevented him from playing music, but he continued to play music. His final result was a film
“It’s a wonderful world!” Louis Armstrong is known for many memorable songs that have touched musicians and hearts over the years. Perhaps no song has had a more lasting impact on all generations of music than “What a Wonderful World”. Three young sisters and singers, ages 17, 12, and 10, recently sat and sang the best songs for the Medford Arts Center. Enjoy the beauty and innocence in play and sit back and listen, in their words, what this song means to them. The most powerful The Harlem Renaissance began in the Harlem neighborhood of New York City as the center of black culture in the 20th century. A cultural and artistic movement emerged from the 1910s to the mid-1930s. This period is considered the “golden age” in African American culture. This group did not bring much art and literature and recognition to black artists in America.
One of the most famous writers of the Harlem Renaissance was Langston Hughes. A poet, Hughes also wrote novels, short stories, and plays. He was not inspired by the poets of the past, but wrote in a melodic meter inspired by blues and jazz music. Hughes also wrote a poem called “The Weary Blues.” He advocated for equality, against racism and injustice, and addressed the problems that black Americans faced.
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The fusion of music and changes in Blues music attracted new audiences during the Harlem Renaissance. This unique sound means that no two performances will be the same. Bessie Smith and Billie Holiday were popular with Blues and jazz music during this period. During the Harlem Renaissance, a new style of piano playing, the Harlem Stride style, was developed. It soon became popular and spread throughout the country. This style is popularized in the song “Backwater Blues,” composed by Bessie Smith and James P. Johnson.
Zora Neale Hurston was a Harlem Renaissance anthropologist and folklorist. Her work celebrates African American culture in the deep south, representing the perspective of women in this cultural group. He was commissioned to record Blues music and other artists in Florida. His written work and a Blues song written by Zora himself provided a glimpse into Florida’s often forgotten Blues era.
The artist of the Harlem Renaissance, Aaron Douglas, expressed the same feeling that the Blues inspired. His art helped establish the Blues as an art form to be seen and loved. In the mural “Songs of the Towers,” Aaron Douglas painted what he saw as Blues artists and African American history. Today’s Harlem has become a hot market for real estate as buyers flock north of Manhattan in search of land.
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But Harlem 100 years ago was no stranger to the explosion of art, politics and culture in black America. The Harlem Renaissance – known as the “New Negro Movement” – saw the rise of jazz, the creation of literature such as Langston Hughes’ and Zora Neale Hurston’s, and new black knowledge and pride.
It’s not just in Harlem. Chicago, Cleveland and other northern cities have seen similar cultural and artistic movements, born of the migration of African Americans from the south, the first to to the city of the South and then to the North.
Minkah Makalani, assistant professor of African and African Diaspora Studies at the University said “This is the time when most black people in the United States were born free – the first generation where they were not born into slavery.” in Austin, Texas.
A Look Into The Harlem Renaissance
But they still face racism and violence in the south, says Makalani, so “they find a way out of it and create something new and cultural that shows all things in American culture today, whether it’s dance, music, writing. , poetry. It’s a very powerful time.
“You also have supportive messages about freedom, politics, what a just world would look like. They are having a deep conversation about the meaning of freedom, what it means to be power in the world? , where are the black people and it is. not monolithic.”
People and places associated with the Harlem Renaissance are the names of American icons, artists and artists: singers Billie Holiday and Louis Armstrong; writer Wallace Thurman and muralist Aaron Douglas; world-famous venues such as the Cotton Club and the Apollo Theater; and United Negro Improvement Association founder Marcus Garvey, called “the black Moses.”
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The job prospects increased the appeal of Harlem and other parts of the prosperous North, but people were also encouraged to migrate by Jim Crow laws and racial oppression on the other side. South Korea, said Davarian Baldwin, Raether Distinguished Professor of American Studies.
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