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, Jakarta. For those of you who feel like you have an artistic soul, you should already know the genre of modern music that is very popular right now.
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Modern music is a genre of music that is not usually performed on real instruments, but produces music no less than the original.
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Modern music first appeared in the 19th century. Its appearance is the result of Impressionist painting. The group that formed the movement was a group of artists from France, namely Degas, Monet, Renoir and several others.
Contemporary music is often seen as a unique and innovative musical form. This is because musicians usually use a combination of clapping, various friction sounds, or other sounds that can be produced by objects that are often used in everyday life.
, which is a brief description of the concept of modern music. For those of you who feel you have a soul for the art of music, you must first understand what modern music means.
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In modern music, less attention is paid to mixing. Also, percussion plays a big role. Voices played alone can be clearly heard in this music.
In modern music, the term “polychord” is well known, in which two chords are sounded at the same time. In modern music, harmony also uses four chords.
Created from the sound of a piano. In modern music, the term “polytonality” is widely known, or the simultaneous use of two or more chords.
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Rhythm is one of the most compelling elements in modern music. Most of the beats used are uplifting, inspiring and joyful.
In addition, there are irregular rhythm groups. In modern musical rhythms, the term “polyrhythm” is widely known, or the simultaneous use of two contrasting rhythms.
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Photo: List of top 5 goalkeepers conceding most goals in BRI Liga 1 2022/2023 by Andritani Rajanya Many people know gamelan as a ritual instrument or a dance accompaniment. But the Kyai Fatahillah group is different. They perform modern music according to the composer’s score. This is one of the reasons why the Kyai Fatahillah Orchestra was invited to perform at the NOW! Contemporary Music Festival. This is the 12th time in the city of Essen.
The ensemble from Bandung is led by Ivan Gunawan, lecturer composer at UPI (Indonesian University of Education) Faculty of Music, Bandung. In modern music circles, Ivan Gunavan’s name is widely known for his various compositions, master classes and performances in Europe and other countries.
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“Gamelan music is often described as static and traditional. That’s not true because gamelan only describes a specific set of instruments. The music itself is constantly evolving,” said Ivan Gunavan, who originally majored in piano at UPI.
Kyai Fatahillah is now at the Contemporary Music Festival! In the city of Essen, the progress of professors is inseparable. Dieter Mak, professor of music theory, modern German composer, lived in Indonesia for a long time, studying gamelan music in Java and Bali. When Dieter Mack became a guest lecturer at UPI Bandung, one of his students, Ivan Gunawan, began studying composition and the Western musical tradition.
Now! Festival, Kyai Fatahillah will be present on November 1, 2022, presenting Dieter Mak’s composition “The time after-reset”, composed exclusively for NOW!-Festival 2022 and performed for the first time in concert.
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For his performance at the Essen Philharmonic, Kyai Fatahillah had previously practiced in Leverkusen on the gamelan instrument of Martin Ehrhardt, leader of the German band “Gamelan Taman Indah” from Leverkusen. After practicing in Leverkusen, Kyai Fatahillah and Gamelan Taman Indah performed at the Leverkusen Conservatory.
In addition to Dieter Mak’s works, NOW!-Festivak Kyai Fatahillah performed works by Iwan Gunawan under the titles “Fonem”, “Minutes” and “Lalamba”. In addition to “GAME-Land”, there are also works by “Indonesian modern music master” Slamet Abdul Gratitude (1935-2015), as well as works by Dutch composers Klaus Kuiper (1956-2016) and Roderick De Man.
The Essen Philharmonic is one of the concert halls with the best acoustics in Germany. The concert audience, including representatives of the music industry and musicologists, warmly welcomed Kyai Fatahillah’s performance with prolonged and thunderous applause.
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Several members of Kyai Fatahillah and Iwan Gunawan from the city of Essen will still return to the Netherlands to continue their joint musical project. “As a modern orchestra, we may have a higher profile and recognition abroad than at home,” Ivan Gunawan told Indonesia. The professor also confirmed this. Dieter Mack, who accompanied Kai Fatahillah in Germany.
Maybe it’s because gamelan is considered traditional music in Indonesia, even though we’re well known in the European modern music scene,” says Ivan Gunavan. Kyai Fatahillah plays modern music by composers from around the world. “The only difference is the instruments we use. If European chamber music uses classical instruments, we use gamelan instruments. But from a compositional standpoint, we’re playing modern music,” he added.
It is a pity that the Indonesian media does not pay much attention to the development of modern music, especially gamelan. In addition, there is still little government attention to supporting contemporary music activities.
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“In fact, many things in Indonesia often depend on whether officials understand the importance of Indonesia in the modern music world,” says Prof. Dieter Mak. Well equipped and in good condition, like this gamelan kit from Leverkusen,” said Ivan Gunavan. They hope that gamelan will be more appreciated in their home country precisely because it is unique in the world music scene. And a precious part.
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There is no age too old for enjoying rock music. So thinks a group of old folks at Wacken Open Air, the world’s largest heavy metal festival, near the city of Hamburg. Two of them sat behind the game console, and one stood on the right side of the stage. The fingers of the standing man danced slowly over the keys of the clarinet. Then the quiet sound of the clarinet filled the theater. The player’s body moves flexibly with the beat. The profile of a face with a pointed nose can be seen in profile. This person is Ron Reeves, a musician from Australia. he played the prelude
Note after note, the clarinet blared dizzyingly. The audience begins to be captivated by the game and by Ron’s charming demeanor. The man was wearing a dark suit and a red hood. His fingers move peacefully on the clarinet, accompanied by his steady breathing. Ron’s melodious music made the audience seem to have entered heaven. Gradually, the tension lessened and finally stopped completely. There was a few seconds of silence. Audiences are holding their breath, eagerly anticipating the sequel.
Then the voice of Nanny Sudaryanto broke the silence. Unlike Ron, he wears traditional Javanese clothing. The right hand caresses the strings, and the left hand presses the buttons along the melody. His eyes are half-closed, and he seems completely immersed in the music. Sudaryanto is followed by the gender-role Anang, a type of saloon with 10 to 14 metal blades. Impressive sound from traditional instruments. Strain sex and siter correspond harmoniously.
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.This piece was created to combine various traditional instruments. Sudaryanto not only plays instruments but also Javanese songs. Like reciting the mantra, he slowly recited it several times. His deep voice is accompanied by Ron and Anan’s instrumental accompaniment. Thanks to their unified style, they managed to elicit thunderous applause in the hall.
In action that night. After the performance, the performance of Lahere & Karinding Towel began. Eight people took the stage holding hands. Each holds a Kalindin, a traditional musical instrument made from kaung leaves or bamboo. This instrument consists of a needle that produces the tone, a part to pick up and
Make the pointer vibrate. Then Kadin approached the mouth and heard a characteristic sound. The harmony they create is like the sound of water dripping into a pond.
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After a few minutes of instrumental intros, the eight stopped playing. Then three people took the stage with special instruments. They played a unique and somewhat mysterious instrumental collaboration. Two of them carry a type of kentongan tied with a rope. They rotate the instrument parallel to the head so it hums. At the same time, another person brought a wooden instrument similar to a bow. He also twisted it conveniently, making a cutting sound. There were two others playing flutes and stringed instruments. The combination of various sounds creates an exciting atmosphere.
They are members of the Indonesian Harmonica Association. something from
