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Music Director – Composer Deva: Monarch of Gaana music Music composer Deva talks about tweaking ragas and understanding film music during his journey from composer to singer.

“Yeh…aap..kela…inthaa… Lalakku dol dappi maa…” There might not be much lyrical value in that line, but it’s magical when sung with music. The man behind the popular number

Music Director

Music Director

“Music is the art of sound and I appreciate it,” Deva said. “Music from the womb to the grave is a binding factor,” he added. “You can’t find meaning in words that are used only to enhance the quality of the music. For example, ‘Ullallalaayee…’ in the opening song has no meaning, but the sound has an emotional connection with the baby. I also try to create an emotional connection with the audience, ” he said.

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Although he was a temporary employee of the Public Works Department, Deva’s passion for music led him to conduct a light music program and eventually cost him his job. “At that time, I was working in a private company in Pallavaram and lost my job because I could not return in time from a light music program in Tiruchi. But nothing could dampen my spirit and I continued to nurture my spirit,” he said.

Music Director

Deva has also worked in Doordarshan as a floor assistant and has composed music for many dramas. To make a living, he eventually became a banner artist for films. After 10 years of struggle he got an opportunity to compose music for a film

In 1986 The film did not do well at the box office but the songs became hits. Three years later, he composed for Ramarajan’s play

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In 1990 He also received his first national award with the film. He caught the attention of the film producers and his turning point came with the film

. All the songs were chartbusters. The chain of success continued after the film. After two months, he had 20 films!

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The city is talked about because of its buzz. “He sets the tone for the song. Music is a feeling created in humans. It is a poetry of sound. It paints a picture while listening and the visual element is left to the listener,” he said.

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Most of his songs are chartbusters and he attributes his success to his vocal knowledge in classical ragas. “My general formula is to compose raga songs, but they will be semi-classical. I tweaked it a bit to get the desired feel. From Moganam to Hamsa Nadhini to Baageswari, from Ranjani to Sindhu Bhairavi, I have used many ragas in my compositions with some improvisation,” says Deva.

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The main reason for the classical touch in his songs is the sound knowledge he has acquired while composing devotional songs over the years. Before entering films, he was an experienced campaigner who created more than 250 devotional albums such as Seerkazhi Govindarajan (Kariyangal Niraivetrum Ganapathiye), P. Susheela (Meenakshi Paamalai), Balamuralikrishna, Madurai Somu, Soolamangalam Sisters, Soolamangalam Sisters, Banglamathi Varkrishnalak and S. . “Now I am making a devotional album and recently I made a sai bhajan album,” he said. He also composed music for popular folk music exponents Vijayalakshmi Navaneethakrishnan and Pushpavanam Kuppusamy.

Deva’s specialty is Gaana music. He is best known for his musical achievements in this genre. “Every music composer has his own style and is connected with a genre of music. I am from Chennai and gaana is inseparable from Chennaiites. I used to say ‘Gaana song’ and later I learned that ‘gaana’ means song in Hindi. It has a different flavor and a very unique sound. It seems rude, but without a doubt, the musicality of this genre is very deep,” he said.

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People like Gaana because of the tempo and beats. “Conceptualizing Gaana for film music is difficult. I composed ‘Kavalaipadaathe Sagothara…’

And was well received. In those days, directors did not like to see songs before the climax because they were afraid that the audience would not like it and leave the theater before the climax. But the huge reach of the song is driving the trend,” he said.

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Deva felt that the color of the voice may have changed in modern times but not the human emotions. “Though music has evolved over the years, ‘thaalattu’ (lullaby) and ‘oppari’ (death requiem) remain the same.”

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Deva is also famous for singing by contemporary music directors such as G.V. Prakash and Anirudh. Today, he is busy composing

Music Director

Deva has often used Moganam raga in film songs. It is one of the most fascinating ragas. ‘Annamalai…Annamalai…’ song

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Based on this body. The melody of the last two words in the second line of ‘Enni Yengura’ does not match the prosody of moganam, where Sutha Rishabam inserted it to describe the sense of ‘Yengura’ (year).

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Supported by his sister Sabesh-Murali, Deva has composed more than 450 films in Tamil, Malayalam, Telugu and Kannada.K Padma studied at Seshadri Bala Bhavan, Chnai and learned to play the keyboard. He progressed rapidly and completed his 8th grade music studies at Trinity College of Music in London. He graduated in K getic engineering (BTech) from SRM University, Chennai.

His musical background found an outlet when he joined his first rock band at the age of 12, and played with the successful funk/rock and roll band ‘Panatella’ a few years later. He later created jingles for the company’s commercials and films, for which he sang several songs.

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In 2010, he played a role for director K Mysskin Yuddham Sei. The film’s soundtrack was a hit. He wrote for Mysskin’s Mugamoodi starring Jiiva. Renowned cinematographer Rajeev Ravi is the director of Malayalam film Annayum Rasoolum. The film will become a cult favorite.

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He made his Bollywood debut with the Hindi remake of the Tamil hit Pizza, composing the background score for the film.

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In 2015, the film Kirumi opened to positive response and went on to become one of the most acclaimed Tamil films of the year.

In the first half of 2016, actor K Dulquer Salmaan worked on the Malayalam film Kammatipaadam, his second collaboration with Rajeev Ravi.

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K’s background score also received rave reviews, with one reviewer saying, “Composer K’s music ignites this action sequence. With adrenaline-pumping music, ev manages to create bone-crackingly cool visuals. Credits to Rajeev Ravi.” Amit Trivedi and Sneha Khanwalker is in Anurag Kashyap’s Gangs Of Wasseypur.”

Kallapadam directed by debutant Vadivelu is the first film to hit the screens of K. He had earlier turned down a role in his first film ‘Yuddham Sei’, but agreed to do one of the lead roles in Kallapadam.

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Directed by M. Manikandan of Kaaka Muttai and Kutrame Dhandanai fame, Aandavan Kattalai, his next major release was well received. The film’s music, consisting of 9 songs, is completed with a background score whose lyrics are based on on-screen dialogues.

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Music Composer Deva: The Monarch Of Gaana Music

In 2017, a Telugu remake of the film was made by Chinni Krishna, titled London Babulu, which featured music reused from the Tamil original by K. The remake featured only 5 of the original 9 songs.

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Ammani, Lakshmy Ramakrishnan’s third film as a director, opened a month later to rave reviews. The film received praise from all quarters, much to the surprise of the director who has been vocal in conversations about his hopes for a more nervy response to the film. The background music of this film is handled very maturely, leaving a lot of room to not interfere with the emotional and exciting story. The highlight of Ammani’s album is ‘Mazhai Ingillaye’, sung by the wonderful Vaikom Vijayalakshmi, who sets the tone of the song perfectly, adding Carnatic music and a unique synth sound.

In 2016, K composed the background score for N. Padmakumar’s ‘A Billion Color Story’, which won several awards and accolades worldwide including Best Film, LIFF, London and Audience Award for Best Film, IFF, Los Angeles.

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Produced by PVP Cinema, the film was released in three languages: Telugu, Tamil and Hindi. This Hindi movie is distributed by Karan Johar

Anando Brahma, a Telugu horror comedy directed by Mahi V Raghav starring Taapsee Pannu, released on 18 August 2017. K composed the music for the film.

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Yatra – A biographical film about Y. S. Rajasekhara Reddy. The film is written and directed by Mahi V. Raghav and stars Mammootty as YSR.

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In 2019, K agreed to compose for Prasanna Vithanage’s Sinhala film Gaadi, which premiered at the Busan International Film Festival in October 2019.

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In late 2019, he was also signed by Mani Ratnam’s Madras Talkies to compose the background score for Vaanam Kottattum, written and produced by Mani Ratnam and directed by his protégé, Dhana Sekhar.

K has composed music for 2023 Sara Mardini – German Dr. Geg d Strom

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