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Gordon Epperson Professor of Music, University of Arizona, Tucson. The Author of Musical Symbols: A Study of Philosophical Theory of Music.
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Music, the art of combining sounds or instruments for beauty or emotional expression, often according to cultural standards of rhythm, melody, and, in most music, Western, harmony. Both simple folk songs and complex electronic compositions share the same movement, music. Both are man-made; These factors are both intellectual and emotional, and can be found in music of all styles and in all periods of history, all over the world.
Music is an art that, in one form or another, pervades all human societies. Modern music can be heard in an amazing variety of ways, many of them are contemporary, others were created in the past. Music is a protean art; association is easily given in words, as in song, and in physical action, as in dance. Throughout history, music has been an adjunct to ritual and drama and has been valued for its ability to express and influence human emotions. Popular culture has taken advantage of these opportunities, especially today through radio, film, television, musical theater and the Internet. The impact of the use of music in psychiatry, geriatrics and advertising proves the belief in its power to influence human behavior. Publications and recordings have effectively introduced international music to its most important and nuanced manifestations. In addition to all this, music education in primary and secondary schools is recognized worldwide.
But the spread of music is not new, and its humanity is often acknowledged. What seems interesting is that, despite the universal nature of art, no one has ever debated its necessity. The ancient Greek philosopher Democritus clearly rejected the need for essential music: “For it was not necessarily divided, but from the excesses that already existed.” The notion that music and other arts are merely grace is still widespread, although increasing intellectual understanding of games and other symbolic works has begun to undermine this long-held belief.
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African music; Oceanic music and dance; western music; Arts of Central Asia: Music; Chinese music; Japanese music; Korean music; Islamic art; Native American music; South Asian Arts: Music; and Southeast Asian Arts: Music.
Folk music. Aspects of music are covered in contrast, harmony, instruments, style, music criticism, music composition, music performance, music recording, music sound, music notation, rhythm, notation, pitch and character.
Things like blues, chamber music, choral music, concerto, electronic music, fugue, jazz, opera, rhythm and blues, rock, symphony, sonata, theater music, and vocal music. Musical instruments are covered in electronic instruments, keyboard instruments, percussion instruments, stringed instruments, and wind instruments, as well as in separate articles for each instrument, such as clarinet, drums, guitar, kajagŭm, piano , tabla, and theremin.
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Music is heard everywhere. But what is music? Commentators have spoken of “the relationship of music to the human mind and intellect”, thereby affirming the world of human speech as a necessary world for art. Defining the music itself will take more time. As Aristotle said: “It is not easy to define the nature of music or the reason for having knowledge about it.”
At the beginning of the 20th century, it was considered common that musical sounds were characterized by a process of vibration; this uniform gave him some voice and distinguished his voice from the “noise”. Although this view may have been supported by traditional music, by the second half of the 20th century it was accepted as an unacceptable meter. Indeed, “noise” and silence became elements of creativity, and random sounds were used by composers, such as the American John Cage, and others in works that had features – rare event (opportunity) or. improvised. . Tone, moreover, is only one element of music, the others being rhythm, timbre, and texture. Electronic machines have allowed some composers to create works that removed the traditional role of the performer and recorded, directly on tape or digital files, sounds that were previously impossible for humans. produced, if not imagined.
It is clear from historical accounts that the power to move people always comes from music; its ability to please is recognized in all cultures and is often accepted in practice under specific, sometimes strict, conditions. In India, music has long been placed in the service of religion; Vedic hymns stand at the beginning of the record. As the art developed over the centuries into music full of richness and deep rhythm, the rules of a religious text or a history lesson determined the structure. In the 21st century, the storyteller remains at the heart of traditional Indian music performances, and the beauty of a good singer rivals that of an instrumentalist. There is little idea of language or instrument in the Western sense. The vertical dimension of chord structure—that is, the simultaneous effect of notes; The division of octaves (intervals) is more than in western music, and the musical value of the music is much more than that of its western counterpart. In addition, it maintains an element of improvisation that is essential to the success of the performance. The spontaneous imitation between the musicians and the storyteller, against the insistent rhythmic details of the drums, can be the source of the greatest excitement, which is due to the faithful adherence to strict rules. controls the performance of ancient ragas. melodic Indian music.
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Chinese music, like the music of India, has traditionally been used for ceremonies or storytelling. Confucius (551-479 BC) gave music an important place in the moral service of the universe. He considers music and government to be a reflection of the individual and he believed that only the elite who know music can govern. Music, according to his thoughts, expresses character through the six emotions it can express: sadness, pleasure, joy, anger, piety, love. According to Confucius, great music harmonizes the universe, restoring order to the physical world through this harmony. Music, as a true reflection of character, makes pretense or deception impossible.
Although music was important in the life of ancient Greece, it is not known today what that music was like. Only a few marked fragments remain, and no key to restoration. The Greeks were given a theoretical estimate of music; they had a system of notes, and they “made music”, as Socrates himself was instructed, in the vision. But the word comes from the Greek
The stem is one in general, referring to the art or science practiced under the patronage of the Muses. Therefore, music, unlike gymnastics, is complete. (Many speculations, however, have clearly indicated the limited meaning that we are familiar with.) Music was almost a branch of mathematics for the philosopher Pythagoras (
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550 BC), who was the first musical mathematician and laid the foundations of acoustics. In acoustics, the Greeks discovered the relationship between the pitch of a note and the length of a string. But they didn’t go ahead with calculating the height based on the vibration,
